1816 MORT D'ARTHUR Malory

DESCRIPTION:

The Most Ancient And Famous History of The Renowned Prince Arthur and The Knights of The Round Table, in three volumes, by Sir Thomas Malory, published by R. Wilks, at 89 Chancery Lane. Sold also by Simpkin & Marshall, Stationers Court Ludgate Hill, London, 1816. All 3 volumes disbound from original printed paper covers, and rebound in 1/2 leather marbled boards, with raised bands, red morocco label and gilt spine titling, and marbled paper over boards. Each volume is illustrated with a frontispiece and extra engraved title page. Volume 1 is lacking the folding frontispiece of King Arthur and his Knights at the Round Table. Two title pages in each volume, the 1816 title page and 1634 title page. The engravings are impressive, depicting significant scenes from the story. All of the text is complete and firmly bound.

Malory's famous romantic masterpiece about  Prince Arthur and the Knights of the Round Table. Printed in 1816, this is the rare Wilks 8th edition, in 3 volumes complete. Representing the 8th printing of Sir Thomas Malory's timeless story, and the 1st edition in this three volume form, the Wilks edition is based on William Stansby's 1634 edition.

Le Mort d’Arthur is one of the most significant works of Arthurian literature. An important edition of Sir Thomas Malory's compilation of French and English Arthurian romances, the 1816 Wilks edition marks the start of modern interest in Arthuriana. Other than the edition published by Walker & Edwards in the same year, all earlier editions, besides the 1634 Stansby, are virtually unobtainable.

PRINTING HISTORY:

First published in 1485 by William Caxton, Le Morte d'Arthur is the source for most subsequent Arthurian literature, including T. H. White’s The Once and Future King, Tennyson’s Idylls of the King, and Steinbeck’s The Acts of King Arthur and His Noble Knights. The 1485 Caxton edition was followed by editions in 1498, 1529, 1557, 1585 and 1634. No further editions were printed until two competing editions were issued in 1816, of which this is one.

The first printing of Malory's work made by Caxton in 1485, proved popular and was reprinted, with some additions and changes, in 1498 and 1529 by Wynkyn de Worde who succeeded to Caxton’s press. Three more editions followed at intervals down to the time of the English Civil War: William Copland’s (1557), Thomas East’s (1585), and William Stansby’s (1634).

Thereafter the book went out of fashion until the time of the Romantic revival when interest in all things medieval flourished. As a result of this renewed interest, in 1816 both Walker & Edwards and Wilks printed new editions both based on the 1634 Stansby edition.